By Ken Jaworowski
New York Times
If you assume everything said in “(T)error ” is true — and for the most part, I do — it’s a sobering story. Still, though the film gains your trust, it leaves too much unverified.
The movie, billed as the first documentary to embed filmmakers  in an F.B.I. counterterrorism operation, follows Saeed Torres, a former Black Panther and self-described “civilian operative” who says he works as a paid undercover informant.
Lyric R. Cabral and David Felix Sutcliffe, the directors, travel with Mr. Torres to Pittsburgh, where Mr. Torres says his mission is to befriend Khalifah al-Akili, a man who may have, among other things, posted pro-Taliban statements online. Mr. Torres, who is untrained, is supposed to gauge the potential for terrorist activity and help the F.B.I. build a case against Mr. al-Akili.
Mr. Torres meets Mr. al-Akili several times (none of those encounters, nor any with the F.B.I., are shown, only mentioned) and concludes that he isn’t a serious threat. Despite this, Mr. Torres says, he is told to press on, which casts suspicion on the F.B.I.’s investigation and, by association, its use of informants.
While the agency’s methods appear dubious, the film’s approach is sometimes lacking. No F.B.I. agents, current or retired, are interviewed for context or corroboration; an ending note says only that the agency did not respond to a request for comment.
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